I have been interested in typography for a very long time. This interest stems from my unusually bad handwriting, which in turn comes from no patience or practice. I started looking for nice typefaces to set schoolwork in at computer shows and other places but this was the age of rampant piracy. (more…)

These are a few of the things that I did for MetroValley Magazine. I was a designer, photographer, photo-editor, compositor and illustrator as well as being responsible for the development of the layout of the magazine. I will have an in-depth discussion of the blueprint/prototyping process for MetroValley Magazine. The logo was not designed by me.

This poster was commissioned for a Fund-Raising Excursion on the Potomac Eagle. The shoot took place at Wappacoma Station outside of Romney, WV. I donated my time to this, as it was a worthy cause. Pavey is a very sweet and deserving individual, and it was an honor to help.

While working at COMAR, I had several magazines that I was at least partially responsible for. For instance, when the publisher decided to eliminate one magazine and build another from the ground up, I got to do development. I was responsible for the initial layout, color and typographic choices of MetroValley magazine. Although not designing the logo, I was tasked with prototyping every different page in the magazine, with the help of the creative team at COMAR. The original Editor and Creative Director steered me into something not quite as cutting-edge as I would have liked, but still very forward-looking for West Virginia. I chose, edited and finalized the cover image in addition to laying out the cutlines.

Some of the other work that I did for WVE, with notes. I also wore many hats for West Virginia executive, I was the lead designer, but I also processed images and choose photography from stock. Occasionally I would write or edit a bit and create custom illustrations as well as charts and graphs where appropriate. I wanted to maintain the feel of the original magazine while keeping the text layout foremost in the design. I choose an 11pt Janson Text for readability over the 10pt Garamond that was being used. I also liked the weight of the bold and italic, and felt it suited the material better.